In the golden haze of a Los Angeles afternoon, where youth is eternal and dreams are as plentiful as the stars on Hollywood Boulevard, Brad Myers stands at the crossroads of promise and experience. No longer in his youth, he is neither a wide-eyed ingénue nor a jaded veteran, but rather a man in his prime, his fingers dancing across the fretboard of his electric bass with the confident grace of one who has mastered his craft.
Myers, with his boyish grin belying the depth of his musical soul, is a bridge between the old guard and the new wave. His eyes, bright with ambition yet tempered by the realities of the industry, reflect the glittering lights of the city he calls home. In a town where yesterday’s sensation is today’s cautionary tale, Myers has managed to carve out a niche for himself, his talent as enduring as the Hollywood sign that looms over the city.
For years, he has been the rhythmic backbone of Bridget Brady’s musical endeavors, his bass lines providing the solid foundation upon which she builds her sonic castles. But it is with Monogroove that Myers truly comes into his own, his instrument singing with the passionate intensity of a man who knows that time, while not yet his enemy, is no longer an infinite resource.
Their album, “Echos in the Glass,” is a testament to Myers’ artistry at its zenith. Each note he plays is a declaration, a manifesto of a musician at the height of his powers. His bass lines weave through the tracks like the sinuous curves of Mulholland Drive, full of unexpected twists and thrilling crescendos.
In V.K. Lynne, Myers found a collaborator who matched his own fierce dedication to the craft. Their partnership, now concluded, was a brilliant supernova in the vast galaxy of the L.A. music scene, burning bright and hot before fading into memory.
Myers has discovered the Nitewalker Bass Guitar Tube Preamp, a modern alchemist’s tool that promises to transmute his considerable talent into pure sonic gold. With this device, he seeks not to recapture past glories, but to push forward into uncharted territories of sound and emotion.
As the California sun begins its descent into the Pacific, casting long shadows across the city, Brad Myers takes the stage, his bass a gleaming talisman against the encroaching darkness. The crowd, a mix of industry veterans and wide-eyed newcomers, waits with bated breath. For in this moment, Myers is neither young nor old, but timeless – a living embodiment of the eternal promise of rock and roll.
And so, dear reader, we leave Brad Myers to his destiny, a rising star in the ever-shifting constellation of Los Angeles music. His story, still being written with every note he plays, serves as a beacon to those who would follow in his footsteps. For in this city of broken dreams and second chances, it is the artists like Myers who remind us that true talent, nurtured and honed, can indeed stand the test of time.
As the first chords ring out, echoing across the Hollywood Hills, one can almost hear the whisper of F. Scott Fitzgerald himself: “And so we beat on, boats against the current, borne back ceaselessly into the past.” But for Brad Myers, the current is but a challenge to be overcome, and the future, bright with possibility, beckons irresistibly.
