In the electric atmosphere of today’s music scene, a cat named Anthony Boyd, who goes by the hip moniker Tonee Boydd, is laying down the groove and twisting the knobs for some of the heaviest hitters in the game. This cool customer isn’t just slapping the bass; he’s the wizard behind the soundboard, too.

Picture this: U2’s soaring anthems, Pink’s raw power, and the soulful vibes of Kendrick Lamar all shaped by Boydd’s deft touch at the front-of-house. The man’s got golden ears, I tell you, fine-tuning the sonic landscapes for a roster that reads like a who’s who of the charts – Janet Jackson, Justin Bieber, Bruno Mars, man, the list goes on.But don’t think for a second that Boydd’s just content to stay behind the scenes. No sir, this cat can play. He’s been holding down the low end for the likes of Melba Moore and Cissy Houston, laying down funky foundations that would make James Jamerson proud. And get this – he’s even jamming with Migos, those cats who are redefining the rap game. Word on the street is Boydd’s got the writing chops too. He had a hand in penning “Green Light” for Jazmine Renae, proving he’s got soul to spare. As the leaves turn in ’24, Boydd’s been taking his bass around the globe with Infinity Song, a group that’s climbing faster than a Mercury rocket. They just lit up Madison Square Garden, opening for Lake Street Dive.

If that ain’t making it, I don’t know what is. In this crazy, mixed-up world of music, Anthony Boyd is the real deal – a renaissance man for the modern age. He’s got the chops, the ears, and the soul to make it all happen. Keep your eyes and ears on this cat, ’cause he’s going places, and he’s taking the music with him.